The music for the reproducing piano is a major subject in its own right. To collectors today the reproducing piano holds many attractions, such as the fine pianos used, the historical pianists who recorded for them, and a fascination for the complex mechanisms employed. Reproducing pianos were typically marketed to those who wished to hear live piano performances in their homes who did not wish to produce their own performances by means of the player piano. Specific makes are described chronologically in a brief table below: Brand As such they are, strictly speaking, not the highest development of the player piano but the end point development of pneumatic player piano technology. Unlike the player piano, where the human is the interactive participant in the music making process, reproducing pianos remove the person from the position of musician to that of audience member. They can be extremely effective when properly restored and regulated and their recordings are now regarded as of great historical interest. The rolls and mechanisms endeavour to reproduce the effect of a live performance, hence the term ‘reproducing piano’. These are player pianos that contain additional mechanisms to automatically recreate pre-programmed musical dynamics encoded onto their music rolls.
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